Movie Review: Is “Spectre” the Best of the Bonds?



We who have been watching James Bond movies more or less faithfully for the last fifty years may never relinquish the belief that Sean Connery  is the real Bond, while all attempts by other actors to play him have fallen short.  Those who have been fans of the character for less than ten years are likely to have a difficult time accepting anyone other than Daniel Craig in the role, and they have a closer understanding of the character than those who have been dragged through the decades of Roger Moore, George Lazenby, Pierce Brosnan, and Timothy Dalton.  Throughout the four movies in which Craig has played Bond, the actor has perhaps come closer than any other to the character as written by author Ian Fleming.


In “Spectre,” Craig has brought 007 to his logical end, and I hope he doesn’t compromise this achievement by agreeing to perform in yet another installment of the series, which perhaps will outlast England herself.   If those who own the franchise insist on continuing to milk it, the best thing they could do is to start over from the top, remaking each film in fidelity to the novels, and using Craig’s  interpretation of the character as their model.  I fear, however, they will go in the opposite direction, with more original scripts and a Bond that drifts further and further away from who Fleming described as “an extremely dull, uninteresting man to whom things happened.”


Before I mention a few of the things that urge the series to be put to bed for good, I’ll warn anyone who even has the word “spoiler” in their functioning vocabulary to stop reading at this point. First off, if Blofeld is resurrected one more time, he will become as ridiculous an adversarial  gimmick as Lex Luther is in the Superman comics. Secondly, at the end of the film, Bond throws away his badge, just as did Inspector Callaghan at the end of “Dirty Harry.”  Four sequels destroyed the brilliant ending of that film.  Let’s not be forced to see the spectacular ending of “Spectre” ruined by Bond’s retaking of the badge.  And if the show must continue, let it be with another Bond, so as to not compromise the closure given by the Craig cycle.


Despite my sentimental attachment to the first three Connery Bonds, those films were more about the sixties than the previous decade, in which the novels were set.  “Spectre” achieves a complicated balance between the present day and the fifties era.  While the earlier films sported far-fetched plots, disposable sex kittens,  and comic-book villains, “Spectre” addresses such topical concerns as information monopolies and total surveillance grids.  Our world of today is the science fiction world of yesterday, and both worlds are fused in the old-fashioned world of the government-sanctioned assassin.  The character of James Bond is still as square-headed and strong-jawed as Mickey Spillane’s Mike Hammer,   except he has developed a conscience over the decades of a world grown so increasingly dangerous that love has become too precious to throw away on casino romance and loyalty is serious business when it starts raining bullets.  Her majesty’s secret service may think it has outgrown the double-0 program, but it is the double-0 operatives who have outgrown the secret service.


This is why “Spectre” would make such a perfect conclusion to the Bond adventure we have been latching onto for the last fifty years.  Let the  badge remain where he has thrown it, and allow the poor bastard to retire for once and for all.


11 thoughts on “Movie Review: Is “Spectre” the Best of the Bonds?

  1. Oops, I missed this. You are on a writing frenzy….I agree with you, here. The Craig films are solid and I always believe its better to end on a high note. But I reckon they will find a new Bond in a few years and keep going. BTW, I suppose you don’t like the Mission Impossible films, but I enjoyed Rogue Nation more than I did Spectre. (Oh, I can see you cringing over there.)


    1. i fell asleep during mission impossible and didnt feel like trying to watch it again. i dont like the series at all, but i have a good story for you. john woo wanted to do a remake of notorious but hollywood wouldnt go for it, so he accepted the deal to do mission impossible. i think it was the first one. and he went ahead and used as much of the notorious rewrite he had done as he could. having seen both pictures, does that make any sense to you?


      1. YES I thought I was the only one who noticed the Notorious undertones. It worked well for me — loved the white scarf around her neck when she’s in the boat and the house scene when Cruise goes in to save her. Most MI fans don’t like Woo’s version at all, but it’s my favorite. But I did enjoy Rogue Nation. A guilty pleasure is Simon Pegg. He plays the comedic relief perfectly. I admire Tom for doing a lot of his own stunts. That opening hanging on the cliff was exceptional and him hanging on the plane is outstanding.

        Liked by 1 person

    2. on the writing frenzy.. i have been recovering from surgery on my sinuses for most of this month, watching tons of movies but not feeling like writing about any of them,,so i have all this catching up to do before the year is out.


  2. im glad you enjoy them,cindy. i watched a bit of the revenant, but am putting it off until we get closer to club date, so i have a fresh penny to throw into the pot. have you seen joy yet? it is a marvelous picture, and ill probably watch it again tonight and write about it tomorrow. happy new year.


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